Fall 2017 • Spring 2017 • Fall 2016 • Spring 2016 • Fall 2015 • Spring 2015
Fall 2014 • Spring 2014 • Fall 2013 • Spring 2013
Graydon Beeks, conductor
Fall 2017 Repertoire
| Mondavi Fanfare (2006) | Roger Nixon |
| Fantasia for Euphonium and Band (1969)1 | Gordon Jacob |
| Etude No. 3 for Concert Band (2010/1017) | Stephen Klein |
| Galop from Genevieve de Brabant (1859) | Jacques Offenbach |
| Down to the Sea in Ships (1952) | Robert Russell Bennett |
| Sheep-Shearing Song (1923/42) | Eugène Goossens/arr. Grainger |
| Mock Morris (1910/1950) | Percy Aldridge Grainger |
| Lights Out. March (1905) | Earl E. McCoy |
Guest soloists:
1Andrew Acs PO ’20, euphonium
Gibb “Ranzo” Schreffler, chantyman, teaches audience members sea chanties in Robert Russell Bennett’s Down to the Sea in Ships
Spring 2017 Repertoire
| Overture for a Musical Comedy (1997) | John Barnes Chance |
| Violaria (2016)1 | Karl Kohn |
| Whispering of Fields Unsown (2016)2 | Andrew Boysen, Jr. |
| Lyric Music (1963) | Robert Starer |
| Polonaise Americaine (2016) | John Alden Carpenter/arr. S. Klein |
| Tango Americaine (2016) | John Alden Carpenter/arr. S. Klein |
| Colonial Airs and Dances (1987) | Robert Jager |
| Children’s March: “Over the hills and far away” (1916-19) |
Percy Aldridge Grainger |
| The Chirpin’ Time Rag (1977) | Gary Beeks ’72/arr. W. F. Russell |
| The Liberty Bell. March (1893) | G John Philip Sousa |
Guest soloists:
1Cynthia Fogg, viola
2Hayden Eberhart ’07, soprano
Fall 2016 Repertoire
| Prelude for an Occasion (1968/1985) | Edward Gregson |
| Concerto for Clarinet and Military Band1 (1878) | Nikolai Rimsky-Korsakov |
| Near Woodstock Town (1903) | Percy Aldridge Grainger |
| Skronk (2014) | John Frantzen |
| Selections from Sweeney Todd (1979) |
Stephen Sondheim |
| Wrong Note Rag from Wonderful Town (1953) | Leonard Bernstein |
| Rosalind in the Forest of Eden (2004) | Alfred Reed |
| A Moorside Suite (1928) | Gustav Holst |
| Washington Post. March2 (1889) | John Philip Sousa |
Guest soloists:
1Gary Bovyer, clarinet
2Karl Kohn, conductor
Spring 2016 Repertoire
| Blue Towers (1959) | Irving Fine |
| Diversion1 (1943) | Bernhard Heiden |
| Two Songs without Words, Op. 22 | Gustav Holst |
| “Pur ti miro” from L’incoronazione di Poppea2 (1642) | Claudio Monteverdi |
| March and Reminiscences for My Last Journey (1857–1868) | Gioachino Rossini |
| You Already Did (2015) | Mark Winges |
| My Bonnie3 (1950) | Trad./arr. W.F. Russell |
| Decoration Day (1912) | Charles Ives |
| Second Connecticut Regiment. March (1876) | David Wallace Reeves |
Guest Soloists:
1Chihiro Tamefusa ’16, alto saxophone
2Christine Moore, cornet; Chihiro Tamefusa ’16, soprano saxophone
3Eron Smith ’16 and Molly Cole ’16, piano four-hands
Fall 2015 Repertoire
| Fantasia for Alto Saxophone and Band (1983) | Claude T. Smith |
| English Folk Song Suite (1924) | Ralph Vaughan Williams |
| Serenade II for Concert Band (1977) | Karl Kohn |
| Meditation on the St. Wenceslaus Chorale (1914) | Joseph Suk |
| Manhattan for Trumpet and Concert Band (2003) | Philip Sparke |
| Danza Final from “Estancia Dances” (1941) | Alberto Ginastera |
| Three Fanfares for Bridges Hall (2001) | Stephen Klein |
| Nobles of the Mystic Shrine. March (1923) | John Philip Sousa |
Spring 2015 Repertoire
| Scaramouche (2002) | W. Francis McBeth |
| Suite Française (1945) | Darius Milhaud |
| Intermezzo for Concert Band (2014) | Karl Kohn |
| “The Gum-Suckers” March (1914/1942) | Percy Aldridge Grainger |
| When Time was Young (2005/2015) | Tom Flaherty |
| Orpheus in the Underworld. Overture (1858) | Jacques Offenbach |
| The Stars and Stripes Forever. March (1896) | John Philip Sousa |
Fall 2014 Repertoire
| A Huntingdon Celebration (2003) | Philip Sparke |
| Tuba Concerto (2004) | Barbara York |
| O Sacred Head (1994) | J.S. Bach/Vaclav Nelhybel |
| Connaught Rhapsody (2014) | David Holsinger |
| Monteverdi Suite (2014) | Claudio Monteverdi/Stephen Klein |
| Fantasy on American Sailing Songs (1952) | Clare Grundman |
| Ritmo Jondo (1967) | Carlos Surinach |
| The Gliding Girl (1912) | John Philip Sousa |
| Godfrey Kneller March (1976) | Gordon Jacob |
Spring 2014 Repertoire
| Giles Farnaby Suite (1969) | Gordon Jacob |
| Sketches on a Tudor Psalm (1973) | Fisher Tull |
| Children’s March: “Over the hills and far away” (1916-1919) |
Percy Aldridge Grainger |
| Serenade, Op. 22c (1965/1980) | Derek Bourgeois |
| Second Suite in F for Military Band, Op.28 No.2 (1911, rev. 1913) | Gustav Holst |
| Colonel Bogey. March (1913) | Kenneth J. Alford |
Fall 2013 Repertoire
| Havener Fanfare (2004) | Andrew Boysen, Jr. |
| Folk Song Suite No. II (1985) | Frigyes Hidas |
| musical offering (1963/1994) | Vaclav Nelhybel |
| Variations on “America” (1891) | Charles Ives |
| The Alcotts from Piano Sonata No. 2 “Concord, Mass., 1940-1860” (1909-15) |
Charles Ives |
| March from Symphonic Metamorphoses of Themes by Carl Maria von Weber (1943) | Paul Hindemith |
| Soirées Musicales (1936) | Benjamin Britten |
| Stone Images (1974) | Sydney Hodkinson |
| Overture to Candide (1955) | Leonard Bernstein |
| Circus Galop from The Irish Dragoon (1914-15) | John Philip Sousa |
Spring 2013 Repertoire
| Prelude for Hampstead Heath (1989) | Martin Ellerby |
| Broadside for Band (1988) | William Bolcom |
| Crystals (1985) | Thomas C. Duffy |
| Lincolnshire Posy (1937) | Percy Grainger |
| On a Hymnsong of Philip Bliss (1989) | David Holsinger |
| Festive Overture, Op.96 | Dmitri Shostakovich |
| The New colonial March (1901) | Robert Browne Hall |
Additional seasons forthcoming.